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Storyline The Dinner
An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life. The camera, just like the people, moves constantly from table to table, into the kitchen and the back room to observe the staff's petty jealousies and frustrations -- until two hours later it's time for everybody to go home.Movie details
Title : The DinnerRelease : 1998-09-03
Genre : Drama, Comedy
Runtime : 126
Company : FilmTel Ltd., Medusa Film, Les Films Alain Sarde
Rating :
7.2 out of 10 From 13 Users
Homepage : Homepage Movie
Trailer : Video Trailer
Casts of The Dinner
Fanny Ardant, Nadia Carlomagno, Antonio Catania, Francesca D'Aloja, Eleonora Danco, Riccardo Garrone, Vittorio Gassman, Giancarlo Giannini, Marie Gillain, Lea Karen Gramsdorff, Carlo Molfese, Nello Mascia, Adalberto Maria Merli, Sergio Nicolai, Corrado Olmi, Daniela Poggi, Stefania Sandrelli, Giorgio Tirabassi, Rolando Ravello, Eros Pagni, Giorgio Colangeli, Hanja Kochansky, Francesca Rettondini, Gordana Miletić, Ettore Garofolo, Adriana Innocenti, Paolo Merloni, Francesco Siciliano, Venantino Venantini, Mario Patanè, Stefano Antonucci, Walter Lupo,
Find More About The Dinner
Directed by Oren Moverman. With Michael Chernus, Taylor Rae Almonte, Steve Coogan, Charlie Plummer. Two sets of wealthy parents meet for dinner to decide what to do about a crime their sons have committed.
The Dinner Critics Consensus. The Dinner's strong ensemble isn't enough to overcome a screenplay that merely skims the surface of its source material's wit and insight.
The Dinner is an 2017 American drama film directed and written by Oren Moverman, based on the Dutch novel of the same name by Herman Koch. It is the third film adaptation of the novel, following the 2013 original Dutch version Het Diner by Menno Meyjes and the 2014 Italian film I nostri ragazzi by Ivano De Matteo.
An internationally bestselling phenomenon: the darkly suspenseful, highly controversial tale of two families struggling to make the hardest decision of their lives - all over the course of one meal. It's a summer's evening in Amsterdam, and two couples meet at a fashionable restaurant for dinner ...
In this finely observed family drama, a civilized dinner between brothers Paolo (Luigi Lo Cascio) and Massimo (Alessandro Gassman) and their wives Clara (Giovanna Mezzogiorno) and Sofia (Barbora ...
Oren Moverman’s “The Dinner” is an incredibly frustrating movie, almost purposefully so. It is a film about people who say things like “We’re gonna talk tonight … put it all on the table,” and then never do. They’re constantly avoiding not just the truth but basic human interaction ...
The Dinner Critics Consensus. The Dinner's strong ensemble isn't enough to overcome a screenplay that merely skims the surface of its source material's wit and insight.
The Dinner is an 2017 American drama film directed and written by Oren Moverman, based on the Dutch novel of the same name by Herman Koch. It is the third film adaptation of the novel, following the 2013 original Dutch version Het Diner by Menno Meyjes and the 2014 Italian film I nostri ragazzi by Ivano De Matteo.
An internationally bestselling phenomenon: the darkly suspenseful, highly controversial tale of two families struggling to make the hardest decision of their lives - all over the course of one meal. It's a summer's evening in Amsterdam, and two couples meet at a fashionable restaurant for dinner ...
In this finely observed family drama, a civilized dinner between brothers Paolo (Luigi Lo Cascio) and Massimo (Alessandro Gassman) and their wives Clara (Giovanna Mezzogiorno) and Sofia (Barbora ...
Oren Moverman’s “The Dinner” is an incredibly frustrating movie, almost purposefully so. It is a film about people who say things like “We’re gonna talk tonight … put it all on the table,” and then never do. They’re constantly avoiding not just the truth but basic human interaction ...
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